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This article deals with Eugen Gomringer’s ideograms and their translations. It points out that there is no loss of meaning in the different versions in German, French, English, and Spanish. That Gomringer succeeds in this is examined primarily through Gomringer’s medial games between white space, bl...

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Bibliographic Details
Main Author: Walter Schilling
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2023-12-01
Series:Recherches Germaniques
Subjects:
Online Access:https://journals.openedition.org/rg/10636
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