Regard rapproché, regard éloigné dans la critique d’art, de Diderot à Huysmans
Throughout his Salons, Diderot meditated on the distance from which one should view a painting. Chardin’s paintings fascinated him, transforming with every step back taken by the viewer. Form is born from matter; meaning derives from the thickness of the colour. Whereas Pascal and classical thought...
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| Format: | Article |
| Language: | Catalan |
| Published: |
Liverpool University Press
2024-11-01
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| Series: | Modern Languages Open |
| Online Access: | https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/522 |
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