Regard rapproché, regard éloigné dans la critique d’art, de Diderot à Huysmans

Throughout his Salons, Diderot meditated on the distance from which one should view a painting. Chardin’s paintings fascinated him, transforming with every step back taken by the viewer. Form is born from matter; meaning derives from the thickness of the colour. Whereas Pascal and classical thought...

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Bibliographic Details
Main Author: Michel Delon
Format: Article
Language:Catalan
Published: Liverpool University Press 2024-11-01
Series:Modern Languages Open
Online Access:https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/522
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