Quand l’air reprend son souffle

On Philippe Quesne’s stage, human hierarchies and linearity of action are destructured: anthropocentrism no longer reigns and the scenic world exists for itself. Things and bodies can release ecstasies, to form what Böhme called aesthetic atmospheres. Neither objective nor subjective, they blur the...

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Bibliographic Details
Main Author: Zoé Brioude
Format: Article
Language:fra
Published: UMR 1563 « Ambiances Architectures Urbanités » 2021-12-01
Series:Ambiances
Subjects:
Online Access:https://journals.openedition.org/ambiances/4142
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