Quand l’air reprend son souffle
On Philippe Quesne’s stage, human hierarchies and linearity of action are destructured: anthropocentrism no longer reigns and the scenic world exists for itself. Things and bodies can release ecstasies, to form what Böhme called aesthetic atmospheres. Neither objective nor subjective, they blur the...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
UMR 1563 « Ambiances Architectures Urbanités »
2021-12-01
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| Series: | Ambiances |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ambiances/4142 |
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