The Fountainpen and the Metronome: Bloomsbury Dancing, or not
When Lydia Lopokova, the Russian ballerina, married John Maynard Keynes, the world-famous economist, the match met with fierce disapproval on the part of his Bloomsbury friends. It may be argued that the fact that the Bloomsbury set overlooked Lydia Lopokova’s love for words and poetical frame of mi...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2005-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/13624 |
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| _version_ | 1832581345450131456 |
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| author | Caroline Marie |
| author_facet | Caroline Marie |
| author_sort | Caroline Marie |
| collection | DOAJ |
| description | When Lydia Lopokova, the Russian ballerina, married John Maynard Keynes, the world-famous economist, the match met with fierce disapproval on the part of his Bloomsbury friends. It may be argued that the fact that the Bloomsbury set overlooked Lydia Lopokova’s love for words and poetical frame of mind so as to assign the silent part of the muse to her epitomizes the way they failed to fully acknowledge how the grammar of dance might have enriched the more canonical art forms they were familiar with. |
| format | Article |
| id | doaj-art-fe62d8ed479941d08a4dadbc9378358f |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2005-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-fe62d8ed479941d08a4dadbc9378358f2025-01-30T10:21:21ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492005-12-016210.4000/cve.13624The Fountainpen and the Metronome: Bloomsbury Dancing, or notCaroline MarieWhen Lydia Lopokova, the Russian ballerina, married John Maynard Keynes, the world-famous economist, the match met with fierce disapproval on the part of his Bloomsbury friends. It may be argued that the fact that the Bloomsbury set overlooked Lydia Lopokova’s love for words and poetical frame of mind so as to assign the silent part of the muse to her epitomizes the way they failed to fully acknowledge how the grammar of dance might have enriched the more canonical art forms they were familiar with.https://journals.openedition.org/cve/13624 |
| spellingShingle | Caroline Marie The Fountainpen and the Metronome: Bloomsbury Dancing, or not Cahiers Victoriens et Edouardiens |
| title | The Fountainpen and the Metronome: Bloomsbury Dancing, or not |
| title_full | The Fountainpen and the Metronome: Bloomsbury Dancing, or not |
| title_fullStr | The Fountainpen and the Metronome: Bloomsbury Dancing, or not |
| title_full_unstemmed | The Fountainpen and the Metronome: Bloomsbury Dancing, or not |
| title_short | The Fountainpen and the Metronome: Bloomsbury Dancing, or not |
| title_sort | fountainpen and the metronome bloomsbury dancing or not |
| url | https://journals.openedition.org/cve/13624 |
| work_keys_str_mv | AT carolinemarie thefountainpenandthemetronomebloomsburydancingornot AT carolinemarie fountainpenandthemetronomebloomsburydancingornot |