Hölderlin: ein romantischer oder ein romantisierter Dichter? Fragment, Umnachtung, ‘obscuritas’, Revolution
This article aims to show how and why a poet who is not classified as a Romantic in literary historical terms, but as one who stands between Classicism and Romanticism and who himself spoke out against Romanticism, was romanticised or became a Romantic in the course of the 20th century. After an in...
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| Format: | Article |
| Language: | deu |
| Published: |
Milano University Press
2025-04-01
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| Series: | Studia theodisca |
| Online Access: | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/28679 |
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