De l’instrument joué à la pratique représentée : comprendre les figures de flûtistes dans l’iconographie recuay (sierra nord-centrale du Pérou, 100‑800 n.è.)

The analysis of musical and sound practices of the Recuay culture (100‑700 CE), in the north-central highlands of actual Peru, encounters several documentary unknowns. Indeed, there is an unbalanced distribution of exploitable data. The archaeological contexts and instruments, which are poorly known...

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Bibliographic Details
Main Authors: Mélanie Ferras, Alexia Moretti
Format: Article
Language:English
Published: Université Lumière Lyon 2 2024-07-01
Series:Frontière·s
Online Access:https://journals.openedition.org/frontieres/2190
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