Certain Death: Mike Flanagan’s Gothic Antidote to Traumatic Memory and Other Enlightenment Hang-Overs in <i>Doctor Sleep</i>

This article uses the English Gothic’s eighteenth-century dismantling of male lineage and Enlightenment certainty in Horace Walpole’s <i>The Castle Otranto</i> as a lens for understanding the twenty-first-century commercial popularity of director Mike Flanagan’s Gothic films, particularl...

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Bibliographic Details
Main Author: Erik Bond
Format: Article
Language:English
Published: MDPI AG 2025-01-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/14/1/12
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