From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’s Musical Trilogy
Christopher Guest’s fake documentaries about music are marketed as entertainment but they also raise serious questions about music history and the problem of authenticity. Working as a collaborative writer, director and actor in This is Spinal Tap (1984), Waiting for Guffman (1996) and A Mighty Wind...
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| Format: | Article |
| Language: | English |
| Published: |
SAES
2019-11-01
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| Series: | Angles |
| Subjects: | |
| Online Access: | https://journals.openedition.org/angles/2216 |
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