Nobility and domestic conviviality in the paintings of archduchess Maria Christine

Scholars have long identified Jean-Jacques Rousseau's writings as central texts to the history of the family. Eighteenth-century transformations to the family concept affected all families, including those of high social status; despite being monarchs, royal families could not shield themselve...

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Main Author: Michael Yonan
Format: Article
Language:ces
Published: University of Pardubice 2009-01-01
Series:Theatrum Historiae
Online Access:https://theatrum.upce.cz/index.php/theatrum/article/view/187
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author Michael Yonan
author_facet Michael Yonan
author_sort Michael Yonan
collection DOAJ
description Scholars have long identified Jean-Jacques Rousseau's writings as central texts to the history of the family. Eighteenth-century transformations to the family concept affected all families, including those of high social status; despite being monarchs, royal families could not shield themselves from larger social changes affecting family definitions in general. This paper addresses that phenomenon by examining a social activity in which imagined identities could be explored and represented, namely art, through a discussion of the Habsburg Archduchess Maria Christine of Austria (1742-1798). Daughter of Empress Maria Theresa, Maria Christine founded with her husband Albert of Sachsen-Teschen the collection that forms the basis of the modern Graphische Sammlung Albertina in Vienna and was herself an accomplished amateur painter. By inserting her monarchical family into scenes representing bourgeois activities, Maria Christine utilized painting to explore aspects of her monarchical life that otherwise could not be represented in official art.
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spelling doaj-art-f0052710e6ef474eb2aee6d2428d70b72025-01-24T18:29:20ZcesUniversity of PardubiceTheatrum Historiae1802-25022571-06212009-01-014Nobility and domestic conviviality in the paintings of archduchess Maria ChristineMichael Yonan0University of Missouri Scholars have long identified Jean-Jacques Rousseau's writings as central texts to the history of the family. Eighteenth-century transformations to the family concept affected all families, including those of high social status; despite being monarchs, royal families could not shield themselves from larger social changes affecting family definitions in general. This paper addresses that phenomenon by examining a social activity in which imagined identities could be explored and represented, namely art, through a discussion of the Habsburg Archduchess Maria Christine of Austria (1742-1798). Daughter of Empress Maria Theresa, Maria Christine founded with her husband Albert of Sachsen-Teschen the collection that forms the basis of the modern Graphische Sammlung Albertina in Vienna and was herself an accomplished amateur painter. By inserting her monarchical family into scenes representing bourgeois activities, Maria Christine utilized painting to explore aspects of her monarchical life that otherwise could not be represented in official art. https://theatrum.upce.cz/index.php/theatrum/article/view/187
spellingShingle Michael Yonan
Nobility and domestic conviviality in the paintings of archduchess Maria Christine
Theatrum Historiae
title Nobility and domestic conviviality in the paintings of archduchess Maria Christine
title_full Nobility and domestic conviviality in the paintings of archduchess Maria Christine
title_fullStr Nobility and domestic conviviality in the paintings of archduchess Maria Christine
title_full_unstemmed Nobility and domestic conviviality in the paintings of archduchess Maria Christine
title_short Nobility and domestic conviviality in the paintings of archduchess Maria Christine
title_sort nobility and domestic conviviality in the paintings of archduchess maria christine
url https://theatrum.upce.cz/index.php/theatrum/article/view/187
work_keys_str_mv AT michaelyonan nobilityanddomesticconvivialityinthepaintingsofarchduchessmariachristine