Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler

This study aims to compare two political plays, Harold Pinter’s One for the Road (1984) and Melih Cevdet Anday’s İçerdekiler (1965) with a focus on their thematic presentations of political oppression, incarceration and innocence. Influenced by different turning points in Turkish political history,...

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Main Author: Murathan Gündoğdu
Format: Article
Language:English
Published: Atatürk University 2024-03-01
Series:Theatre Academy
Subjects:
Online Access:https://dergipark.org.tr/tr/download/article-file/3380654
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author Murathan Gündoğdu
author_facet Murathan Gündoğdu
author_sort Murathan Gündoğdu
collection DOAJ
description This study aims to compare two political plays, Harold Pinter’s One for the Road (1984) and Melih Cevdet Anday’s İçerdekiler (1965) with a focus on their thematic presentations of political oppression, incarceration and innocence. Influenced by different turning points in Turkish political history, both plays exhibit striking resemblances in depicting political oppression which includes physical and psychological torture, and the reality of incarceration that is experienced by innocent individuals who merely use their freedom of opinion and speech. Presenting critical reactions against the political injustices leading to the victimisation of innocent people, both plays display how political power is manipulated in the hands of the oppressors. The first part of this study examines both Pinter’s and Anday’s political views and criticism as well as their motives for writing the plays under discussion. In the second part, this study compares the two plays mainly in terms of their treatment of oppression and acts of cruelty against innocent individuals, concluding that the plays show similarities as both playwrights manage to demonstrate a universally horrifying picture of incarceration.
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publishDate 2024-03-01
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spelling doaj-art-ebffac4f27c146d88532d2bc9b4c173c2025-02-06T12:41:37ZengAtatürk UniversityTheatre Academy2980-16562024-03-0121325210.5281/zenodo.1082968555Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekilerMurathan Gündoğdu0https://orcid.org/0000-0003-2418-9293BINGOL UNIVERSITYThis study aims to compare two political plays, Harold Pinter’s One for the Road (1984) and Melih Cevdet Anday’s İçerdekiler (1965) with a focus on their thematic presentations of political oppression, incarceration and innocence. Influenced by different turning points in Turkish political history, both plays exhibit striking resemblances in depicting political oppression which includes physical and psychological torture, and the reality of incarceration that is experienced by innocent individuals who merely use their freedom of opinion and speech. Presenting critical reactions against the political injustices leading to the victimisation of innocent people, both plays display how political power is manipulated in the hands of the oppressors. The first part of this study examines both Pinter’s and Anday’s political views and criticism as well as their motives for writing the plays under discussion. In the second part, this study compares the two plays mainly in terms of their treatment of oppression and acts of cruelty against innocent individuals, concluding that the plays show similarities as both playwrights manage to demonstrate a universally horrifying picture of incarceration.https://dergipark.org.tr/tr/download/article-file/3380654one for the roadi̇çerdekileroppressionincarcerationharold pintermelih cevdet anday
spellingShingle Murathan Gündoğdu
Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
Theatre Academy
one for the road
i̇çerdekiler
oppression
incarceration
harold pinter
melih cevdet anday
title Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
title_full Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
title_fullStr Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
title_full_unstemmed Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
title_short Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
title_sort politics incarceration and innocence in harold pinter s one for the road and melih cevdet anday s icerdekiler
topic one for the road
i̇çerdekiler
oppression
incarceration
harold pinter
melih cevdet anday
url https://dergipark.org.tr/tr/download/article-file/3380654
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