L’artifice fait rire, a moins qu’il ne fasse pleurer
The essay starts from the romantic attempt at a poetry of nature devoid of artifice. It shows that any form of art is the result of the artialisation of nature (Alain Roger). It envisages a number of constraints as constitutive of the artifice of comic texts : traducson (D'Antin), psychotyping...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/1766 |
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| Summary: | The essay starts from the romantic attempt at a poetry of nature devoid of artifice. It shows that any form of art is the result of the artialisation of nature (Alain Roger). It envisages a number of constraints as constitutive of the artifice of comic texts : traducson (D'Antin), psychotyping (Jennings), the productions of fous littéraires, lipogram (Perec), metafiction (Abish). The essay concludes on Barthes's account of the "machinery of meaning" and his concept of neutre. |
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| ISSN: | 1272-3819 1969-6302 |