Piano, Rogers and Hulten for the museum layout of the Centre Pompidou. From the empty loft to the vernacular village of art
The Centre national d’art et de culture Georges Pompidou was born out of a desire to reduce architecture to a sequence of empty and internally unobstructed platforms: the manifesto of a kind of democratic, creative and constantly evolving space. Renzo Piano, Richard Rogers, Gianfranco Franchini and...
Saved in:
| Main Author: | Boris Hamzeian |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Alma Diamond, University of Bologna
2024-03-01
|
| Series: | Museum, Materials and Discussions |
| Subjects: | |
| Online Access: | https://mmdjournal.unibo.it/article/view/19299 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
L’éphémère est éternel. Les arts vivants au Centre Pompidou (1977-1987)
by: Marion Boudier, et al.
Published: (2024-07-01) -
The governance model of two French national museums of fine arts relocated in the province: Centre Pompidou Metz and Louvre-Lens
by: Guy Baudelle, et al.
Published: (2014-12-01) -
Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997)
by: Assia Quesnel
Published: (2017-05-01) -
L’impact touristique des nouveaux musées : analyse des relations entre l’environnement urbain et la spatialisation de l’impact à travers les exemples du Centre Pompidou-Metz et du Louvre-Lens
by: Mathias Boquet
Published: (2014-12-01) -
Analysis of Studying Passages on the Piano Requiring Speed and Different Rhythm Patterns
by: Zeynep Oya Bıyıklıoğlu
Published: (2023-06-01)