Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée

From June 22nd 1941, the Soviet state which was born from a revolutionary turmoil faced for the first time a full scale international war. As it was quickly named as “patriotic” by Stalin, this war saw a long lasting inflection of the Soviet discourse toward more nationalism. This could be felt also...

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Main Author: Eric Aunoble
Format: Article
Language:deu
Published: Conserveries Mémorielles 2020-08-01
Series:Conserveries Mémorielles
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Online Access:https://journals.openedition.org/cm/4206
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author Eric Aunoble
author_facet Eric Aunoble
author_sort Eric Aunoble
collection DOAJ
description From June 22nd 1941, the Soviet state which was born from a revolutionary turmoil faced for the first time a full scale international war. As it was quickly named as “patriotic” by Stalin, this war saw a long lasting inflection of the Soviet discourse toward more nationalism. This could be felt also in movies. Hence, how the original revolutionary history would be linked with the new patriotic discourse? A focus on Leonid Lukov’s Alexandr Parkhomenko (1942) could help to see how the history of the 1918-21 Civil War was used and rewritten to serve the “Great Patriotic War” Soviet propaganda. Based upon four versions of the hero’s story issued by Vsevolod Ivanov between March 1939 and July 1942, this paper highlights the diplomatic, political and social constraints which shaped the movie as the public could eventually see it.
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spelling doaj-art-e1e83848348444f88c14138a9d3396d82025-02-05T16:16:17ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562020-08-01Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigéeEric AunobleFrom June 22nd 1941, the Soviet state which was born from a revolutionary turmoil faced for the first time a full scale international war. As it was quickly named as “patriotic” by Stalin, this war saw a long lasting inflection of the Soviet discourse toward more nationalism. This could be felt also in movies. Hence, how the original revolutionary history would be linked with the new patriotic discourse? A focus on Leonid Lukov’s Alexandr Parkhomenko (1942) could help to see how the history of the 1918-21 Civil War was used and rewritten to serve the “Great Patriotic War” Soviet propaganda. Based upon four versions of the hero’s story issued by Vsevolod Ivanov between March 1939 and July 1942, this paper highlights the diplomatic, political and social constraints which shaped the movie as the public could eventually see it.https://journals.openedition.org/cm/4206Second World WarCivil WarSoviet patriotismCinemaLeonid LukovVsevolod Ivanov 
spellingShingle Eric Aunoble
Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
Conserveries Mémorielles
Second World War
Civil War
Soviet patriotism
Cinema
Leonid Lukov
Vsevolod Ivanov 
title Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
title_full Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
title_fullStr Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
title_full_unstemmed Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
title_short Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
title_sort alexandre parkhomenko leonid loukov 1942 la guerre civile en ukraine revue et corrigee
topic Second World War
Civil War
Soviet patriotism
Cinema
Leonid Lukov
Vsevolod Ivanov 
url https://journals.openedition.org/cm/4206
work_keys_str_mv AT ericaunoble alexandreparkhomenkoleonidloukov1942laguerrecivileenukrainerevueetcorrigee