Remettre en acte des extraits d’ethnographie

Taking up one’s ethnographic data again with the aim of (re)creating, not a scene that would be performed as in a theatre, but conditions conducive to an experience similar to that which was observed and lived through as an ethnographer, sheds much light not only on the data itself, but also on its...

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Main Author: Marie Mazzella di Bosco
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2024-12-01
Series:Ateliers d'Anthropologie
Subjects:
Online Access:https://journals.openedition.org/ateliers/18608
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author Marie Mazzella di Bosco
author_facet Marie Mazzella di Bosco
author_sort Marie Mazzella di Bosco
collection DOAJ
description Taking up one’s ethnographic data again with the aim of (re)creating, not a scene that would be performed as in a theatre, but conditions conducive to an experience similar to that which was observed and lived through as an ethnographer, sheds much light not only on the data itself, but also on its production methods and on the researcher's positioning. Among other benefits, the process of re-enactment brings to the fore a set of knowledge and know-how incorporated by the ethnographer, which goes beyond the field notebooks and other collected materials. The article first recounts an experiment, in which volunteer colleagues and students put into practice some of the material from fieldwork on “free-form mindful dances”, in order to re-examine their description and analysis with more acuity, and then it offers a reflexive look at the heuristic, dialectical and illustrative benefits of such a re-enactment.
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institution Kabale University
issn 2117-3869
language fra
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publisher Laboratoire d'Ethnologie et de Sociologie Comparative
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series Ateliers d'Anthropologie
spelling doaj-art-e15e47a7427248b58fd33e5fcff1708d2025-01-30T13:42:43ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692024-12-015410.4000/12z02Remettre en acte des extraits d’ethnographieMarie Mazzella di BoscoTaking up one’s ethnographic data again with the aim of (re)creating, not a scene that would be performed as in a theatre, but conditions conducive to an experience similar to that which was observed and lived through as an ethnographer, sheds much light not only on the data itself, but also on its production methods and on the researcher's positioning. Among other benefits, the process of re-enactment brings to the fore a set of knowledge and know-how incorporated by the ethnographer, which goes beyond the field notebooks and other collected materials. The article first recounts an experiment, in which volunteer colleagues and students put into practice some of the material from fieldwork on “free-form mindful dances”, in order to re-examine their description and analysis with more acuity, and then it offers a reflexive look at the heuristic, dialectical and illustrative benefits of such a re-enactment.https://journals.openedition.org/ateliers/18608ethnographydance and movement practicesmethodologyre-enactment
spellingShingle Marie Mazzella di Bosco
Remettre en acte des extraits d’ethnographie
Ateliers d'Anthropologie
ethnography
dance and movement practices
methodology
re-enactment
title Remettre en acte des extraits d’ethnographie
title_full Remettre en acte des extraits d’ethnographie
title_fullStr Remettre en acte des extraits d’ethnographie
title_full_unstemmed Remettre en acte des extraits d’ethnographie
title_short Remettre en acte des extraits d’ethnographie
title_sort remettre en acte des extraits d ethnographie
topic ethnography
dance and movement practices
methodology
re-enactment
url https://journals.openedition.org/ateliers/18608
work_keys_str_mv AT mariemazzelladibosco remettreenactedesextraitsdethnographie