Pour une approche génétique de l'ébauche
The terms “ébauche” and “esquisse” occupy a central place in the French artistic lexicon. However, their use is surrounded by a certain amount of confusion : their meaning remains unclear, and they are often treated as synonyms, even by art historians and museum professionals. This article proposes...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2021-05-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/15115 |
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| author | Floriane Philippe |
| author_facet | Floriane Philippe |
| author_sort | Floriane Philippe |
| collection | DOAJ |
| description | The terms “ébauche” and “esquisse” occupy a central place in the French artistic lexicon. However, their use is surrounded by a certain amount of confusion : their meaning remains unclear, and they are often treated as synonyms, even by art historians and museum professionals. This article proposes a lexical and material study of the “ébauche” establishing the bases for a working definition for art historians. It examines the causes of the confusion, distinguishing a technical use of the term from an aesthetic or metaphorical one. How and under what conditions can the “ébauche” become an object of study for art history ? Only a genetic approach, centred on the creative processes, allows a precise comprehension of the phenomenon of the “ébauche”. |
| format | Article |
| id | doaj-art-e0899a45a4e440e19caa31b31991c49a |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2021-05-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-e0899a45a4e440e19caa31b31991c49a2025-01-30T14:00:11ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2021-05-011610.4000/cel.15115Pour une approche génétique de l'ébaucheFloriane PhilippeThe terms “ébauche” and “esquisse” occupy a central place in the French artistic lexicon. However, their use is surrounded by a certain amount of confusion : their meaning remains unclear, and they are often treated as synonyms, even by art historians and museum professionals. This article proposes a lexical and material study of the “ébauche” establishing the bases for a working definition for art historians. It examines the causes of the confusion, distinguishing a technical use of the term from an aesthetic or metaphorical one. How and under what conditions can the “ébauche” become an object of study for art history ? Only a genetic approach, centred on the creative processes, allows a precise comprehension of the phenomenon of the “ébauche”.https://journals.openedition.org/cel/15115Ébaucheesquissegénétique artistiqueprocessus de creationGustave Moreauvocabulaire artistique |
| spellingShingle | Floriane Philippe Pour une approche génétique de l'ébauche Les Cahiers de l'École du Louvre Ébauche esquisse génétique artistique processus de creation Gustave Moreau vocabulaire artistique |
| title | Pour une approche génétique de l'ébauche |
| title_full | Pour une approche génétique de l'ébauche |
| title_fullStr | Pour une approche génétique de l'ébauche |
| title_full_unstemmed | Pour une approche génétique de l'ébauche |
| title_short | Pour une approche génétique de l'ébauche |
| title_sort | pour une approche genetique de l ebauche |
| topic | Ébauche esquisse génétique artistique processus de creation Gustave Moreau vocabulaire artistique |
| url | https://journals.openedition.org/cel/15115 |
| work_keys_str_mv | AT florianephilippe pouruneapprochegenetiquedelebauche |