Du tableau à la scène : la couleur dans le jardin paysager en France

Theorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a rede...

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Main Author: Ilona Woronow
Format: Article
Language:fra
Published: Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille 2010-07-01
Series:Projets de Paysage
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Online Access:https://journals.openedition.org/paysage/23055
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author Ilona Woronow
author_facet Ilona Woronow
author_sort Ilona Woronow
collection DOAJ
description Theorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a redefinition became necessary for its integration is the landscape garden. Therefore, conceived as a visual quality, colour is admitted in panoramic views or as an educational device. In scenes depicting sensual pleasures, colour acquires other physical qualities, like material texture or odor. Finally, in other contexts, the couleur being marginalized, the visual qualities are perceived in terms of light nuances. Exploration with chiaroscuro relates the art of gardens to theater.
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institution Kabale University
issn 1969-6124
language fra
publishDate 2010-07-01
publisher Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
record_format Article
series Projets de Paysage
spelling doaj-art-dfc065b346c64d74a8112ac6813847d02025-02-05T16:21:13ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242010-07-01410.4000/paysage.23055Du tableau à la scène : la couleur dans le jardin paysager en FranceIlona WoronowTheorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a redefinition became necessary for its integration is the landscape garden. Therefore, conceived as a visual quality, colour is admitted in panoramic views or as an educational device. In scenes depicting sensual pleasures, colour acquires other physical qualities, like material texture or odor. Finally, in other contexts, the couleur being marginalized, the visual qualities are perceived in terms of light nuances. Exploration with chiaroscuro relates the art of gardens to theater.https://journals.openedition.org/paysage/23055XVIIIth century aestheticslandscape and its receptioncolourtheatercorrespondence of arts
spellingShingle Ilona Woronow
Du tableau à la scène : la couleur dans le jardin paysager en France
Projets de Paysage
XVIIIth century aesthetics
landscape and its reception
colour
theater
correspondence of arts
title Du tableau à la scène : la couleur dans le jardin paysager en France
title_full Du tableau à la scène : la couleur dans le jardin paysager en France
title_fullStr Du tableau à la scène : la couleur dans le jardin paysager en France
title_full_unstemmed Du tableau à la scène : la couleur dans le jardin paysager en France
title_short Du tableau à la scène : la couleur dans le jardin paysager en France
title_sort du tableau a la scene la couleur dans le jardin paysager en france
topic XVIIIth century aesthetics
landscape and its reception
colour
theater
correspondence of arts
url https://journals.openedition.org/paysage/23055
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