Du tableau à la scène : la couleur dans le jardin paysager en France
Theorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a rede...
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Language: | fra |
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2010-07-01
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Series: | Projets de Paysage |
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Online Access: | https://journals.openedition.org/paysage/23055 |
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author | Ilona Woronow |
author_facet | Ilona Woronow |
author_sort | Ilona Woronow |
collection | DOAJ |
description | Theorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a redefinition became necessary for its integration is the landscape garden. Therefore, conceived as a visual quality, colour is admitted in panoramic views or as an educational device. In scenes depicting sensual pleasures, colour acquires other physical qualities, like material texture or odor. Finally, in other contexts, the couleur being marginalized, the visual qualities are perceived in terms of light nuances. Exploration with chiaroscuro relates the art of gardens to theater. |
format | Article |
id | doaj-art-dfc065b346c64d74a8112ac6813847d0 |
institution | Kabale University |
issn | 1969-6124 |
language | fra |
publishDate | 2010-07-01 |
publisher | Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
record_format | Article |
series | Projets de Paysage |
spelling | doaj-art-dfc065b346c64d74a8112ac6813847d02025-02-05T16:21:13ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242010-07-01410.4000/paysage.23055Du tableau à la scène : la couleur dans le jardin paysager en FranceIlona WoronowTheorists of the XVIIIth-century French landscape garden readily appeal to painting as a model for their art. The garden-architect is obliged to explore divers pictorial means, one of which is colour. Meanwhile, since colour within the neoclassical movement connoted bariolage and coquetterie, a redefinition became necessary for its integration is the landscape garden. Therefore, conceived as a visual quality, colour is admitted in panoramic views or as an educational device. In scenes depicting sensual pleasures, colour acquires other physical qualities, like material texture or odor. Finally, in other contexts, the couleur being marginalized, the visual qualities are perceived in terms of light nuances. Exploration with chiaroscuro relates the art of gardens to theater.https://journals.openedition.org/paysage/23055XVIIIth century aestheticslandscape and its receptioncolourtheatercorrespondence of arts |
spellingShingle | Ilona Woronow Du tableau à la scène : la couleur dans le jardin paysager en France Projets de Paysage XVIIIth century aesthetics landscape and its reception colour theater correspondence of arts |
title | Du tableau à la scène : la couleur dans le jardin paysager en France |
title_full | Du tableau à la scène : la couleur dans le jardin paysager en France |
title_fullStr | Du tableau à la scène : la couleur dans le jardin paysager en France |
title_full_unstemmed | Du tableau à la scène : la couleur dans le jardin paysager en France |
title_short | Du tableau à la scène : la couleur dans le jardin paysager en France |
title_sort | du tableau a la scene la couleur dans le jardin paysager en france |
topic | XVIIIth century aesthetics landscape and its reception colour theater correspondence of arts |
url | https://journals.openedition.org/paysage/23055 |
work_keys_str_mv | AT ilonaworonow dutableaualascenelacouleurdanslejardinpaysagerenfrance |