The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts
Since the beginning of the twentieth century, Mexico's political and social context has influenced a body of performance artworks rich in activist connotations, full of black humor and references to the violence and injustice surrounding. How do we, conservators, find ourselves implicated in th...
Saved in:
Main Author: | Juan Gerardo Ugalde Salinas |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2024-10-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/8791 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The significance of practice in the training of conservator-restorers at the Faculty of Conservation and Restoration of Works of Art, Academy of Fine Arts in Warsaw
by: Krzysztof Chmielewski
Published: (2014-09-01) -
Percent-for-Art Policy and Contemporary Art Care and Conservation-Restoration in the City of Oulu Art Collections
by: Paivi Kyllonen-Kunnas
Published: (2012-11-01) -
Pêche, conservation environnementale et aire protégée
by: Sabrina Doyon, et al.
Published: (2018-12-01) -
THE WORD SOOTVETSTVENNO IN ORAL DISCOURSE: SEMANTIC FEATURES, DISCOURSE FUNCTIONS, AND PROSODIC CHARACTERISTICS
by: Aleksandra A. Aisanova, et al.
Published: (2024-12-01) -
Rendre la conservation de l’agrobiodiversité mexicaine gouvernable ou le difficile transcodage des savoirs scientifiques
by: Jean Foyer, et al.
Published: (2021-11-01)