From Lugos to Hollywood: Bela Lugosi’s transnational persona and the aural construction of Dracula in Tod Browning’s Dracula (1931)
In horror literature, acoustic elements heighten sensory engagement and audience immersion in an atmosphere of dread, manipulate psychology, and help transcending the boundaries of imagination. Bram Stoker’s Dracula (1897) masterfully employs voice, sound, and silence to construct Count Dracula’s en...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Centre for Languages and Literature, Lund University
2025-05-01
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| Series: | Swedish Journal of Romanian Studies |
| Subjects: | |
| Online Access: | https://journals.lub.lu.se/sjrs/article/view/27799 |
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