Image, imagination et cinématographie dans l’œuvre de Jacob von Uexküll

In the second half of the nineteenth century, photography widens the gap between scientific and artistic images. In the twentieth century, cinema change the situation: the nearly magical power of film experience questions the subjective/objective and art/science oppositions. This article examines th...

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Bibliographic Details
Main Author: Yannick Campion
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/9883
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