« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix »
These Hardy poems voice the disillusionment of two passionate yet misunderstood speakers about to commit suicide. The genre of the dramatic monologue is here used by Hardy as a model to explore and expand on. The poems do not follow the traditional narrative and subjective lines of the Victorian gen...
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Format: | Article |
Language: | English |
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Presses Universitaires de la Méditerranée
2009-04-01
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Series: | Cahiers Victoriens et Edouardiens |
Online Access: | https://journals.openedition.org/cve/5876 |
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author | Laurence Estanove |
author_facet | Laurence Estanove |
author_sort | Laurence Estanove |
collection | DOAJ |
description | These Hardy poems voice the disillusionment of two passionate yet misunderstood speakers about to commit suicide. The genre of the dramatic monologue is here used by Hardy as a model to explore and expand on. The poems do not follow the traditional narrative and subjective lines of the Victorian genre, but work towards an ironic rewriting of it, as for the two speakers self-assertion relies on literal self-dramatisation, and paradoxically involves self-destruction. Through a series of embedded effects, Hardy's dramatic monologues thus become « theatres of the voice » (Henri Meschonnic), showing that Hardy's poetry truly signals the transition from Victorian literature to Modernism. |
format | Article |
id | doaj-art-cfd1ca2a9e1d465c929b53ebf8d96f1a |
institution | Kabale University |
issn | 0220-5610 2271-6149 |
language | English |
publishDate | 2009-04-01 |
publisher | Presses Universitaires de la Méditerranée |
record_format | Article |
series | Cahiers Victoriens et Edouardiens |
spelling | doaj-art-cfd1ca2a9e1d465c929b53ebf8d96f1a2025-01-30T10:22:23ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492009-04-016910.4000/cve.5876« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix »Laurence EstanoveThese Hardy poems voice the disillusionment of two passionate yet misunderstood speakers about to commit suicide. The genre of the dramatic monologue is here used by Hardy as a model to explore and expand on. The poems do not follow the traditional narrative and subjective lines of the Victorian genre, but work towards an ironic rewriting of it, as for the two speakers self-assertion relies on literal self-dramatisation, and paradoxically involves self-destruction. Through a series of embedded effects, Hardy's dramatic monologues thus become « theatres of the voice » (Henri Meschonnic), showing that Hardy's poetry truly signals the transition from Victorian literature to Modernism.https://journals.openedition.org/cve/5876 |
spellingShingle | Laurence Estanove « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » Cahiers Victoriens et Edouardiens |
title | « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » |
title_full | « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » |
title_fullStr | « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » |
title_full_unstemmed | « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » |
title_short | « The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » |
title_sort | the church builder et the chapel organist l ecriture poetique de thomas hardy du monologue dramatique au theatre de la voix |
url | https://journals.openedition.org/cve/5876 |
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