Spenser’s Popular Pastoral: Hodgepodges and Genre Trouble in The Shepheardes Calender

The article explores the role played by popular culture in Edmund Spenser’s Shepheardes Calender (1579). Highlighting references to almanacs, ballads and festival culture, alongside the poem’s use of regional and colloquial language, I argue that Spenser’s distinctly English pastoral includes a comm...

Full description

Saved in:
Bibliographic Details
Main Author: Abigail Shinn
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2023-06-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/14227
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:The article explores the role played by popular culture in Edmund Spenser’s Shepheardes Calender (1579). Highlighting references to almanacs, ballads and festival culture, alongside the poem’s use of regional and colloquial language, I argue that Spenser’s distinctly English pastoral includes a commingling of classical precedent with popular motifs. The result is a cultural hodgepodge in which disparate literatures and voices combine to produce new effects, but whose constituent parts significantly remain legible to the reader. The Calender thus offers a playful, and provocative, reimagining of pastoral which advertises Spenser’s roving cultural palate and solidifies his claim to be England’s new poet.
ISSN:1272-3819
1969-6302