Seeing Margaret Mitchell’s Gone With the Wind with Fresh Eyes
By examining the ways in which Margaret Mitchell’s novel Gone With the Wind (and the character of Scarlett O’Hara specifically) contests heteronormative, patriarchal, masculine constructions of Southern (ideal) femininity, this essay argues that Scarlett’s “ugliness” forces us to widen our perspecti...
Saved in:
Main Author: | Emmeline Gros |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2020-07-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/14172 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Gone With the Wind, 80 ans d’images. Entretien avec Pierre Berthomieu
by: Pierre Berthomieu, et al.
Published: (2020-07-01) -
Gone With the Covid – Scarlet in Quarantine: An Interview with Sarah Combs
by: Sarah Combs, et al.
Published: (2020-07-01) -
Retourner à Tara. Revoir Gone With the Wind (réal. Victor Fleming, 1939)
by: Sarah Hatchuel
Published: (2020-07-01) -
Beauty and ugliness in Olmec monumental sculpture
by: Claude-François Baudez
Published: (2012-12-01) -
Auditoria de la democracia. Ecuador de Mitchell Seligson
by: Flavia Freidenberg
Published: (2003-09-01)