La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques

The artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level...

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Main Author: Adeline Chainais
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2024-03-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/15707
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author Adeline Chainais
author_facet Adeline Chainais
author_sort Adeline Chainais
collection DOAJ
description The artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level, but also an artistic inspiration, both on a theoretical and practical level, which will prove to be decisive in the development of her theatrical work. This study examines the different steps of this conversion and the repercussions of this spiritual process on Angélica Liddell's conception of theatre and on her various poetic and theatrical creations.
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institution Kabale University
issn 1957-7761
language English
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series Cahiers de Civilisation Espagnole Contemporaine
spelling doaj-art-c7ff622e523f4d34b9cf4629b72d51642025-01-30T10:11:29ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612024-03-013110.4000/ccec.15707La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiquesAdeline ChainaisThe artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level, but also an artistic inspiration, both on a theoretical and practical level, which will prove to be decisive in the development of her theatrical work. This study examines the different steps of this conversion and the repercussions of this spiritual process on Angélica Liddell's conception of theatre and on her various poetic and theatrical creations.https://journals.openedition.org/ccec/15707Angélica LiddellReligionMysticismTheatreStageCreation
spellingShingle Adeline Chainais
La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
Cahiers de Civilisation Espagnole Contemporaine
Angélica Liddell
Religion
Mysticism
Theatre
Stage
Creation
title La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
title_full La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
title_fullStr La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
title_full_unstemmed La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
title_short La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
title_sort la re conversion chretienne d angelica liddell une experience capitale aux repercussions theoriques et esthetiques
topic Angélica Liddell
Religion
Mysticism
Theatre
Stage
Creation
url https://journals.openedition.org/ccec/15707
work_keys_str_mv AT adelinechainais lareconversionchretiennedangelicaliddelluneexperiencecapitaleauxrepercussionstheoriquesetesthetiques