La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques
The artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level...
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Format: | Article |
Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2024-03-01
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Series: | Cahiers de Civilisation Espagnole Contemporaine |
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Online Access: | https://journals.openedition.org/ccec/15707 |
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author | Adeline Chainais |
author_facet | Adeline Chainais |
author_sort | Adeline Chainais |
collection | DOAJ |
description | The artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level, but also an artistic inspiration, both on a theoretical and practical level, which will prove to be decisive in the development of her theatrical work. This study examines the different steps of this conversion and the repercussions of this spiritual process on Angélica Liddell's conception of theatre and on her various poetic and theatrical creations. |
format | Article |
id | doaj-art-c7ff622e523f4d34b9cf4629b72d5164 |
institution | Kabale University |
issn | 1957-7761 |
language | English |
publishDate | 2024-03-01 |
publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
record_format | Article |
series | Cahiers de Civilisation Espagnole Contemporaine |
spelling | doaj-art-c7ff622e523f4d34b9cf4629b72d51642025-01-30T10:11:29ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612024-03-013110.4000/ccec.15707La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiquesAdeline ChainaisThe artist Angélica Liddell, known for her baroque theatre and stage excesses, experienced in 2014 a return to the Christian faith she knew as a child and then lost. She finds in the religious feeling not only the necessary comfort to face the various pains she is confronted with on a personal level, but also an artistic inspiration, both on a theoretical and practical level, which will prove to be decisive in the development of her theatrical work. This study examines the different steps of this conversion and the repercussions of this spiritual process on Angélica Liddell's conception of theatre and on her various poetic and theatrical creations.https://journals.openedition.org/ccec/15707Angélica LiddellReligionMysticismTheatreStageCreation |
spellingShingle | Adeline Chainais La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques Cahiers de Civilisation Espagnole Contemporaine Angélica Liddell Religion Mysticism Theatre Stage Creation |
title | La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques |
title_full | La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques |
title_fullStr | La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques |
title_full_unstemmed | La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques |
title_short | La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques |
title_sort | la re conversion chretienne d angelica liddell une experience capitale aux repercussions theoriques et esthetiques |
topic | Angélica Liddell Religion Mysticism Theatre Stage Creation |
url | https://journals.openedition.org/ccec/15707 |
work_keys_str_mv | AT adelinechainais lareconversionchretiennedangelicaliddelluneexperiencecapitaleauxrepercussionstheoriquesetesthetiques |