Passée la porte, il n’y a rien que du vent : Southern et Western, du désenchantement au crépuscule
Southern melodrama can be understood as a generic enclave rooted in traditional melodrama which borrows from the Western genre not only its interrelated historical framework, particular rites, but its recognizable characters, decors, costumes and coded situations. The geographic situation of the Sou...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2018-07-01
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| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/9239 |
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