« Si le folklore musical existe, alors il est vivant ; s’il est vivant, alors il est normal qu’il meure »
Italian ethnomusicology has never been characterised, as it is in France, by a strong dichotomy between research within the country and research "outside the house" in Diego Carpitella’s words. Until recently, it was confronted with living musical contexts, emerging from a mosaic of econom...
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| Format: | Article |
| Language: | fra |
| Published: |
Ministère de la Culture et de la Communication
2024-12-01
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| Series: | In Situ |
| Subjects: | |
| Online Access: | https://journals.openedition.org/insitu/42818 |
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