Masques de Chine, visages du nuo : du patrimoine à l’art premier
After their use had been prohibited for nearly two decades, Chinese masks, used mainly in rituals, made their reappearance in the public domain thanks to a relaxation of religious policy the 1980s. Cultural researchers and administrators then had the task of indexing and restoring them, necessitatin...
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| Format: | Article |
| Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2016-10-01
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| Series: | Ateliers d'Anthropologie |
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| Online Access: | https://journals.openedition.org/ateliers/10243 |
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| _version_ | 1832578656507002880 |
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| author | Sylvie Beaud |
| author_facet | Sylvie Beaud |
| author_sort | Sylvie Beaud |
| collection | DOAJ |
| description | After their use had been prohibited for nearly two decades, Chinese masks, used mainly in rituals, made their reappearance in the public domain thanks to a relaxation of religious policy the 1980s. Cultural researchers and administrators then had the task of indexing and restoring them, necessitating the creation of a new administrative category. Resorting to an archaic term, Chinese masks their and connected practices were united under the term “nuo”, exorcism. The masks, collected by government officials after they were banned, made their way into Western private collections. The circulation of these artefacts led to changes in how they were handled, from their patrimonialisation to their “artification”, and also changed the usage of the term “nuo” itself. The present contribution aims to examine these different usages. |
| format | Article |
| id | doaj-art-b52493f43b5e450bb9c53eb578ecf23b |
| institution | Kabale University |
| issn | 2117-3869 |
| language | fra |
| publishDate | 2016-10-01 |
| publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
| record_format | Article |
| series | Ateliers d'Anthropologie |
| spelling | doaj-art-b52493f43b5e450bb9c53eb578ecf23b2025-01-30T13:42:24ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692016-10-014310.4000/ateliers.10243Masques de Chine, visages du nuo : du patrimoine à l’art premierSylvie BeaudAfter their use had been prohibited for nearly two decades, Chinese masks, used mainly in rituals, made their reappearance in the public domain thanks to a relaxation of religious policy the 1980s. Cultural researchers and administrators then had the task of indexing and restoring them, necessitating the creation of a new administrative category. Resorting to an archaic term, Chinese masks their and connected practices were united under the term “nuo”, exorcism. The masks, collected by government officials after they were banned, made their way into Western private collections. The circulation of these artefacts led to changes in how they were handled, from their patrimonialisation to their “artification”, and also changed the usage of the term “nuo” itself. The present contribution aims to examine these different usages.https://journals.openedition.org/ateliers/10243artheritagemasksNuoChinaYunnan |
| spellingShingle | Sylvie Beaud Masques de Chine, visages du nuo : du patrimoine à l’art premier Ateliers d'Anthropologie art heritage masks Nuo China Yunnan |
| title | Masques de Chine, visages du nuo : du patrimoine à l’art premier |
| title_full | Masques de Chine, visages du nuo : du patrimoine à l’art premier |
| title_fullStr | Masques de Chine, visages du nuo : du patrimoine à l’art premier |
| title_full_unstemmed | Masques de Chine, visages du nuo : du patrimoine à l’art premier |
| title_short | Masques de Chine, visages du nuo : du patrimoine à l’art premier |
| title_sort | masques de chine visages du nuo du patrimoine a l art premier |
| topic | art heritage masks Nuo China Yunnan |
| url | https://journals.openedition.org/ateliers/10243 |
| work_keys_str_mv | AT sylviebeaud masquesdechinevisagesdunuodupatrimoinealartpremier |