Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images

Charlot’s image, taken from Charlie Chaplin’s Modern Times, seems unavoidable to illustrate work. This article intends to understand the pervasiveness of this mechanistic representation, and suggests to overcome it in order to help rejuvenate the way work is pictured. While nowadays work require les...

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Main Author: Alexandra Bidet
Format: Article
Language:fra
Published: Université de Poitiers 2016-02-01
Series:Images du Travail, Travail des Images
Subjects:
Online Access:https://journals.openedition.org/itti/1366
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author Alexandra Bidet
author_facet Alexandra Bidet
author_sort Alexandra Bidet
collection DOAJ
description Charlot’s image, taken from Charlie Chaplin’s Modern Times, seems unavoidable to illustrate work. This article intends to understand the pervasiveness of this mechanistic representation, and suggests to overcome it in order to help rejuvenate the way work is pictured. While nowadays work require less of workers strength and more of the ability to manage risk, the dominant social representations of work, anchored in the industrial laboratory that was the 19th century, fail to put it in words, pictures and common. Kenneth Burke, as a promoter of a “cultural critique of symbols”, suggest a replacement of the mechanistic metaphor by a poetic one. This would offer a description of workers as producers of forms creating new ways to work and live. And by poiting out how they take ownership of contemporary types of work, it also puts us on a path towards new images of work.
format Article
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publisher Université de Poitiers
record_format Article
series Images du Travail, Travail des Images
spelling doaj-art-b4ef2fa76ef1424a824c84b74d17d3f22025-08-20T03:00:36ZfraUniversité de PoitiersImages du Travail, Travail des Images2778-86282016-02-01110.4000/itti.1366Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des imagesAlexandra BidetCharlot’s image, taken from Charlie Chaplin’s Modern Times, seems unavoidable to illustrate work. This article intends to understand the pervasiveness of this mechanistic representation, and suggests to overcome it in order to help rejuvenate the way work is pictured. While nowadays work require less of workers strength and more of the ability to manage risk, the dominant social representations of work, anchored in the industrial laboratory that was the 19th century, fail to put it in words, pictures and common. Kenneth Burke, as a promoter of a “cultural critique of symbols”, suggest a replacement of the mechanistic metaphor by a poetic one. This would offer a description of workers as producers of forms creating new ways to work and live. And by poiting out how they take ownership of contemporary types of work, it also puts us on a path towards new images of work.https://journals.openedition.org/itti/1366symbolsBurke (Kenneth)mechanistic metaphorpoetic metaphorChaplin (Charlie)Charlot
spellingShingle Alexandra Bidet
Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
Images du Travail, Travail des Images
symbols
Burke (Kenneth)
mechanistic metaphor
poetic metaphor
Chaplin (Charlie)
Charlot
title Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
title_full Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
title_fullStr Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
title_full_unstemmed Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
title_short Pourquoi dépasser l’image mécaniste du Charlot des Temps modernes ? K. Burke, le travail et le pouvoir des images
title_sort pourquoi depasser l image mecaniste du charlot des temps modernes k burke le travail et le pouvoir des images
topic symbols
Burke (Kenneth)
mechanistic metaphor
poetic metaphor
Chaplin (Charlie)
Charlot
url https://journals.openedition.org/itti/1366
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