The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema
Through a discussion of two key American films of the 1940s and 1950s – Alfred Hitchcock's Shadow of a Doubt (1943) and John Ford's The Searchers (1956) – this article situates the breakdown of classical cinema, or what Gilles Deleuze calls the “crisis of the action-image”, in relation to...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Edinburgh University Press
2025-02-01
|
| Series: | Film-Philosophy |
| Subjects: | |
| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2025.0297 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|