Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk
In Annie Dillard’s Teaching a Stone to Talk, the author’s metaliterary reflection on the intertextual layers of discourse that prove necessary to convey the experience of nature does not so much alienate the text from the world as it creates a new form of realism, based on a coincidence between the...
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Format: | Article |
Language: | English |
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Presses Universitaires du Midi
2006-06-01
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Series: | Anglophonia |
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Online Access: | https://journals.openedition.org/acs/2514 |
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author | Nathalie Cochoy |
author_facet | Nathalie Cochoy |
author_sort | Nathalie Cochoy |
collection | DOAJ |
description | In Annie Dillard’s Teaching a Stone to Talk, the author’s metaliterary reflection on the intertextual layers of discourse that prove necessary to convey the experience of nature does not so much alienate the text from the world as it creates a new form of realism, based on a coincidence between the infinite malleability of discourse and the constant regeneration of landscape. Far from screening the world from view, Annie Dillard’s interwoven references set the texture of language into relief and immediately reveal the rewarding magic of the most ordinary components of natural life. |
format | Article |
id | doaj-art-a9d135196bae4aa7bcb040a6ad42ce44 |
institution | Kabale University |
issn | 1278-3331 2427-0466 |
language | English |
publishDate | 2006-06-01 |
publisher | Presses Universitaires du Midi |
record_format | Article |
series | Anglophonia |
spelling | doaj-art-a9d135196bae4aa7bcb040a6ad42ce442025-01-30T12:34:31ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662006-06-011929129810.4000/caliban.2514Le réalisme infime d’Annie Dillard dans Teaching a Stone to TalkNathalie CochoyIn Annie Dillard’s Teaching a Stone to Talk, the author’s metaliterary reflection on the intertextual layers of discourse that prove necessary to convey the experience of nature does not so much alienate the text from the world as it creates a new form of realism, based on a coincidence between the infinite malleability of discourse and the constant regeneration of landscape. Far from screening the world from view, Annie Dillard’s interwoven references set the texture of language into relief and immediately reveal the rewarding magic of the most ordinary components of natural life.https://journals.openedition.org/acs/2514paysageAnnie Dillardécrivains de la natureréalisme |
spellingShingle | Nathalie Cochoy Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk Anglophonia paysage Annie Dillard écrivains de la nature réalisme |
title | Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk |
title_full | Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk |
title_fullStr | Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk |
title_full_unstemmed | Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk |
title_short | Le réalisme infime d’Annie Dillard dans Teaching a Stone to Talk |
title_sort | le realisme infime d annie dillard dans teaching a stone to talk |
topic | paysage Annie Dillard écrivains de la nature réalisme |
url | https://journals.openedition.org/acs/2514 |
work_keys_str_mv | AT nathaliecochoy lerealismeinfimedanniedillarddansteachingastonetotalk |