Defensive Discourse in Writing about Music
A simple conception of musical experience positions music as an active force, listeners as passive. A defensive resistance to passivity sometimes leads music theory and analysis, and other discourses about music, to divert attention from listening, understood as feminized, while working to establish...
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| Format: | Article |
| Language: | deu |
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Gesellschaft für Musiktheorie (GMTH)
2020-06-01
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| Series: | Zeitschrift der Gesellschaft für Musiktheorie |
| Subjects: | |
| Online Access: | https://storage.gmth.de/zgmth/pdf/1035 |
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