Charles et ses images
From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for E...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Institut des Textes & Manuscrits Modernes (ITEM)
2009-01-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | https://journals.openedition.org/flaubert/628 |
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| Summary: | From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed to him a large part of the responsibility for Emma’s grief. From Pierre Renoir, touching and authentic, to Gregg Edelman, who fantasizes on a pornographic website in Todd Field’s Little Children, the more or less pathetic or ridiculous portrayals given by Van Heflin, Aribert Wäscher, Alberto Bello, Jean-François Balmer, Farooq Shaikh or Luis-Miguel Cintra, show that more than any other character in the novel, Charles has been submitted to a serious metamorphosis by being interpreted on screen according to each country’s civilization and the successive decades of filming. |
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| ISSN: | 1969-6191 |