Du Conservatoire national des arts et métiers à la mission ethnographique Ogooué-Congo, et retour

Our focus here is the Conservatoire national des arts et métiers [CNAM] and André Didier, who was officially the ‘sound engineer’ during the Ogooué-Congo ethnographic expedition. We argue that his presence made the mission a success due to the collecting of material for ethnographic film-making and...

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Bibliographic Details
Main Authors: Robert Nardone, Loïc Petitgirard, Catherine Radtka
Format: Article
Language:English
Published: Éditions de la Sorbonne 2021-11-01
Series:Revue d’Histoire des Sciences Humaines
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Online Access:http://journals.openedition.org/rhsh/6384
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