Lucille Ball, the Queen of Show Business versus Lucy Ricardo, the Failed Actress
Most American people, all generations taken into account, remember Lucille Ball as a great comic figure of the Fifties. Nonetheless, just a few people remember her as one of the most powerful women of her time. This might be because Lucille Ball refused to be considered as a businesswoman; she wante...
Saved in:
Main Author: | Aurélie Blot |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2011-04-01
|
Series: | Transatlantica |
Online Access: | https://journals.openedition.org/transatlantica/5050 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
A SEMANTIC ANALYSIS OF DEIXIS IN DRAMA WRITTEN BY LUCILLE FLETCHER
by: Sukasih Ratna Widayanti, et al.
Published: (2019-03-01) -
How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
by: Caroline Marie
Published: (2024-12-01) -
‘Wisdom is a gift given to the Wise’: Florence Farr (1860–1917): New Woman, Actress and Pagan Priestess
by: Muriel Pécastaing-Boissière
Published: (2014-09-01) -
The White Queen /
by: Gregory, Philippa
Published: (2009) -
The ‘cursed’ queen
by: Gergely Kiss
Published: (2023-07-01)