“From in the light I touched the light”

In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations throu...

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Main Author: Anne-Laure Tissut
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2016-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/4716
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author Anne-Laure Tissut
author_facet Anne-Laure Tissut
author_sort Anne-Laure Tissut
collection DOAJ
description In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing.
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issn 1272-3819
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language English
publishDate 2016-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-a69d58c8f8064f02a833a3747e33a5ae2025-01-30T13:48:09ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-012110.4000/sillagescritiques.4716“From in the light I touched the light”Anne-Laure TissutIn the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. Indeed text and image carry each other beyond their own limitations through a fertile dynamics of mutations, aptly reflecting what happens in the story. As the protagonist gropes her way through the ceaselessly shifting volumes of a prison-house, her body undergoes ceaseless transformations and distortions, bringing to mind Francis Bacon’s works. Gilles Deleuze’s analyses of the figure in Francis Bacon — and of its interactions with the background — are used to shed light on what happens to language in its relation to images in Butler’s Ever. While the reader is drawn towards a sensory form of reading, Blake Butler’s writing of obsession allows an exploration of the text as a medium and calls for a questioning of the very conditions of the possibility of writing.https://journals.openedition.org/sillagescritiques/4716imagerepresentationFrancis BaconBlake ButlerDerek Whitemutation
spellingShingle Anne-Laure Tissut
“From in the light I touched the light”
Sillages Critiques
image
representation
Francis Bacon
Blake Butler
Derek White
mutation
title “From in the light I touched the light”
title_full “From in the light I touched the light”
title_fullStr “From in the light I touched the light”
title_full_unstemmed “From in the light I touched the light”
title_short “From in the light I touched the light”
title_sort from in the light i touched the light
topic image
representation
Francis Bacon
Blake Butler
Derek White
mutation
url https://journals.openedition.org/sillagescritiques/4716
work_keys_str_mv AT annelauretissut frominthelightitouchedthelight