‘End of the Goddamned thing!!’

The mystery fiction writer Erle Stanley Gardner and his publisher Thayer Hobson of Morrow devised an unusual procedure for connecting the first ten Perry Mason novels with ‘leads’ to provoke the reader’s curiosity, and so promote the sale of the succeeding book. The genesis of these ‘leads’, and the...

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Main Author: Richard Williams
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2018-07-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/6272
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author Richard Williams
author_facet Richard Williams
author_sort Richard Williams
collection DOAJ
description The mystery fiction writer Erle Stanley Gardner and his publisher Thayer Hobson of Morrow devised an unusual procedure for connecting the first ten Perry Mason novels with ‘leads’ to provoke the reader’s curiosity, and so promote the sale of the succeeding book. The genesis of these ‘leads’, and the contrasting views of author and publisher on the requirements of endings in mysteries, is documented through their correspondence. The paper examines Erle Stanley Gardner’s resourcefulness in triggering different types of curiosity, and the issues that could arise when publishers substituted or curtailed these ‘leads’ in reprint editions. In translated editions the endings of these books became especially liable to modifications according to the expectations of the target culture. Differing conventions and fashions for the concluding textual threshold are exemplified from the manuscript evidence (including novels written by Erle Stanley Gardner under the pseudonym A.A. Fair) and from the very extensive dissemination of these best-selling works in book form.
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2018-07-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-a5e73199b2ac44b6ad0f566ef07742c92025-01-30T13:46:59ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022018-07-012410.4000/sillagescritiques.6272‘End of the Goddamned thing!!’Richard WilliamsThe mystery fiction writer Erle Stanley Gardner and his publisher Thayer Hobson of Morrow devised an unusual procedure for connecting the first ten Perry Mason novels with ‘leads’ to provoke the reader’s curiosity, and so promote the sale of the succeeding book. The genesis of these ‘leads’, and the contrasting views of author and publisher on the requirements of endings in mysteries, is documented through their correspondence. The paper examines Erle Stanley Gardner’s resourcefulness in triggering different types of curiosity, and the issues that could arise when publishers substituted or curtailed these ‘leads’ in reprint editions. In translated editions the endings of these books became especially liable to modifications according to the expectations of the target culture. Differing conventions and fashions for the concluding textual threshold are exemplified from the manuscript evidence (including novels written by Erle Stanley Gardner under the pseudonym A.A. Fair) and from the very extensive dissemination of these best-selling works in book form.https://journals.openedition.org/sillagescritiques/6272translationdetective fictionendingspublishingcuriosityparatext
spellingShingle Richard Williams
‘End of the Goddamned thing!!’
Sillages Critiques
translation
detective fiction
endings
publishing
curiosity
paratext
title ‘End of the Goddamned thing!!’
title_full ‘End of the Goddamned thing!!’
title_fullStr ‘End of the Goddamned thing!!’
title_full_unstemmed ‘End of the Goddamned thing!!’
title_short ‘End of the Goddamned thing!!’
title_sort end of the goddamned thing
topic translation
detective fiction
endings
publishing
curiosity
paratext
url https://journals.openedition.org/sillagescritiques/6272
work_keys_str_mv AT richardwilliams endofthegoddamnedthing