Traiettorie del filologicamente corretto. Il campo del folklore nell’operato di un maestro contemporaneo delle danze sarde
This article aims to show some little explored articulations of the philologically correct category in the anthropological field. The thesis that we intend to demonstrate is that the philologically correct is not only a critical tool at the service of institutional and cultured vision, or a rhetoric...
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| Format: | Article |
| Language: | Italian |
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Dipartimento Culture e Società - Università di Palermo
2018-06-01
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| Series: | Archivio Antropologico Mediterraneo |
| Subjects: | |
| Online Access: | https://journals.openedition.org/aam/381 |
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| Summary: | This article aims to show some little explored articulations of the philologically correct category in the anthropological field. The thesis that we intend to demonstrate is that the philologically correct is not only a critical tool at the service of institutional and cultured vision, or a rhetorical tool at the disposal of heritage policies: it can also be used from below for the purpose of a local micro-counter-hegemony. The dissertation will develop starting from a conceptual framework of the philologically correct and comparing it with the similar but different concept of authenticity. The notion of folklore field will then be illustrated as giving meaning and reason to the processes of authentication and to the practice of philologically correct in a context of reflexive popular culture. The ethnographic focus will be based on the particular trajectory of the philologically correct in the context of the practice of so called traditional Sardinian dances, with particular regard to the work of a Sardinian Campidanese dance master, who will be considered as a popular philologist moving in a multifaceted and polemic scene which includes folk troups, dance enthusiasts and dancers “in the field”. |
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| ISSN: | 2038-3215 |