Un Manfred di troppo. Fortuna di un’opera non rappresentabile in Francia tra Ottocento e Novecento
The essay focuses on four different mise-en-scène of the Manfred by Lord Byron with musics by Schumann which took place in France between 1886 and 1912, thanks to four different protagonists of the French and European theatre of those years: Jean Mounet-Sully, Aurélien Lugné-Poe, Adolphe Appia, and...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Ferrara
2017-12-01
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| Series: | Annali Online dell'Università di Ferrara. Sezione Lettere |
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