Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô

Images on book covers put the reader at the center of an experience that is both cultural and emotional, whose intensity varies according to the objective. It is a visual code with which one can explore a work’s content, and, in return, it gives us the reading keys for the survival and transformatio...

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Main Author: Bruna Donatelli
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2014-10-01
Series:Flaubert: Revue Critique et Génétique
Subjects:
Online Access:https://journals.openedition.org/flaubert/2307
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author Bruna Donatelli
author_facet Bruna Donatelli
author_sort Bruna Donatelli
collection DOAJ
description Images on book covers put the reader at the center of an experience that is both cultural and emotional, whose intensity varies according to the objective. It is a visual code with which one can explore a work’s content, and, in return, it gives us the reading keys for the survival and transformation of a literary character in a collective imaginary. Our analysis will focus on two works: Madame Bovary and Salammbô, two heroines belonging to separate, if not contrary, chronological and geographical spheres. One is modernity’s icon, the other the emblem of a magical and ancestral antiquity. These two figures of the literary imagination incite book cover artists and iconographers to make fundamentally different choices, even if some common features of these heroines’ personality (their instable and dreamy nature), outline analogies in the iconic transposition process when one wants to remodel them according to the dominant canon in the cultural context of the time.
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institution Kabale University
issn 1969-6191
language fra
publishDate 2014-10-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-9e7d689a12c648f78aff6a9b2d102ea72025-02-05T16:29:40ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-10-011110.4000/flaubert.2307Des vitrines sur le roman : les couvertures de Madame Bovary et SalammbôBruna DonatelliImages on book covers put the reader at the center of an experience that is both cultural and emotional, whose intensity varies according to the objective. It is a visual code with which one can explore a work’s content, and, in return, it gives us the reading keys for the survival and transformation of a literary character in a collective imaginary. Our analysis will focus on two works: Madame Bovary and Salammbô, two heroines belonging to separate, if not contrary, chronological and geographical spheres. One is modernity’s icon, the other the emblem of a magical and ancestral antiquity. These two figures of the literary imagination incite book cover artists and iconographers to make fundamentally different choices, even if some common features of these heroines’ personality (their instable and dreamy nature), outline analogies in the iconic transposition process when one wants to remodel them according to the dominant canon in the cultural context of the time.https://journals.openedition.org/flaubert/2307Madame BovarySalammbôéditioncouvertureiconographie
spellingShingle Bruna Donatelli
Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
Flaubert: Revue Critique et Génétique
Madame Bovary
Salammbô
édition
couverture
iconographie
title Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
title_full Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
title_fullStr Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
title_full_unstemmed Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
title_short Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô
title_sort des vitrines sur le roman les couvertures de madame bovary et salammbo
topic Madame Bovary
Salammbô
édition
couverture
iconographie
url https://journals.openedition.org/flaubert/2307
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