A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara
The representation of the Other is as old as the cultural history of humanity and the image that is portrayed of that Other depends entirely on the I that describes and builds it. Thus, based on the theoretical assumptions of imagology, we aim at analysing the image of the moors as depicted on the C...
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Language: | deu |
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Instituto de Estudos Medievais
2015-06-01
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Series: | Medievalista |
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Online Access: | https://journals.openedition.org/medievalista/1213 |
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author | Natália Albino Pires |
author_facet | Natália Albino Pires |
author_sort | Natália Albino Pires |
collection | DOAJ |
description | The representation of the Other is as old as the cultural history of humanity and the image that is portrayed of that Other depends entirely on the I that describes and builds it. Thus, based on the theoretical assumptions of imagology, we aim at analysing the image of the moors as depicted on the Chronicle of the Conquest of Ceuta, seeking to track the topos of the Portuguese praise, cornerstone of the construction of national identity. |
format | Article |
id | doaj-art-99fbffe4e59347f6a54480e3f09f2e15 |
institution | Kabale University |
issn | 1646-740X |
language | deu |
publishDate | 2015-06-01 |
publisher | Instituto de Estudos Medievais |
record_format | Article |
series | Medievalista |
spelling | doaj-art-99fbffe4e59347f6a54480e3f09f2e152025-01-30T10:52:45ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2015-06-012010.4000/medievalista.1213A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de ZuraraNatália Albino PiresThe representation of the Other is as old as the cultural history of humanity and the image that is portrayed of that Other depends entirely on the I that describes and builds it. Thus, based on the theoretical assumptions of imagology, we aim at analysing the image of the moors as depicted on the Chronicle of the Conquest of Ceuta, seeking to track the topos of the Portuguese praise, cornerstone of the construction of national identity.https://journals.openedition.org/medievalista/1213MoorPortugueseOthernessCrónica da Tomada de CeutaZurara |
spellingShingle | Natália Albino Pires A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara Medievalista Moor Portuguese Otherness Crónica da Tomada de Ceuta Zurara |
title | A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara |
title_full | A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara |
title_fullStr | A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara |
title_full_unstemmed | A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara |
title_short | A imagem do outro na Crónica da Tomada de Ceuta pelo Rei D. João I de Gomes Eanes de Zurara |
title_sort | imagem do outro na cronica da tomada de ceuta pelo rei d joao i de gomes eanes de zurara |
topic | Moor Portuguese Otherness Crónica da Tomada de Ceuta Zurara |
url | https://journals.openedition.org/medievalista/1213 |
work_keys_str_mv | AT nataliaalbinopires aimagemdooutronacronicadatomadadeceutapeloreidjoaoidegomeseanesdezurara AT nataliaalbinopires imagemdooutronacronicadatomadadeceutapeloreidjoaoidegomeseanesdezurara |