« Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô
In Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photogr...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2016-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
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| Online Access: | https://journals.openedition.org/flaubert/2529 |
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| _version_ | 1832095838995742720 |
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| author | Dominique Jullien |
| author_facet | Dominique Jullien |
| author_sort | Dominique Jullien |
| collection | DOAJ |
| description | In Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photography, and sculpture, genres and media which Flaubert sought either to emulate or to rival in his writing. It provides a key entry point of engagement with the question of pictorialist writing, as well as an ideal vehicle for Flaubert’s particular vein of Orientalism, defined as a synthesis of beauty and sadism. The question of tableau vivant also links Flaubert’s novel with more recent fiction writing (Roussel, Perec) as well as contemporary performance art. |
| format | Article |
| id | doaj-art-97f8f678c71348a0a6b13f0f71e69bda |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2016-06-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-97f8f678c71348a0a6b13f0f71e69bda2025-02-05T16:29:28ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912016-06-011510.4000/flaubert.2529« Quelque chose de rouge » : l’esthétique des tableaux vivants dans SalammbôDominique JullienIn Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photography, and sculpture, genres and media which Flaubert sought either to emulate or to rival in his writing. It provides a key entry point of engagement with the question of pictorialist writing, as well as an ideal vehicle for Flaubert’s particular vein of Orientalism, defined as a synthesis of beauty and sadism. The question of tableau vivant also links Flaubert’s novel with more recent fiction writing (Roussel, Perec) as well as contemporary performance art.https://journals.openedition.org/flaubert/2529Salammbôarts du spectacletableau |
| spellingShingle | Dominique Jullien « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô Flaubert: Revue Critique et Génétique Salammbô arts du spectacle tableau |
| title | « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô |
| title_full | « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô |
| title_fullStr | « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô |
| title_full_unstemmed | « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô |
| title_short | « Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô |
| title_sort | quelque chose de rouge l esthetique des tableaux vivants dans salammbo |
| topic | Salammbô arts du spectacle tableau |
| url | https://journals.openedition.org/flaubert/2529 |
| work_keys_str_mv | AT dominiquejullien quelquechosederougelesthetiquedestableauxvivantsdanssalammbo |