“Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)

This paper examines Steve McQueen’s strategy in 12 Years a Slave, which consists in filming the horrors of slavery through a narrative construction that mostly concerns Solomon Northup, a “temporary” slave who survives slavery, and a visual construction centered on Patsey, a “permanent” slave who is...

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Main Author: Hélène Charlery
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2019-09-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/12453
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author Hélène Charlery
author_facet Hélène Charlery
author_sort Hélène Charlery
collection DOAJ
description This paper examines Steve McQueen’s strategy in 12 Years a Slave, which consists in filming the horrors of slavery through a narrative construction that mostly concerns Solomon Northup, a “temporary” slave who survives slavery, and a visual construction centered on Patsey, a “permanent” slave who is born and dies in slavery. This double construction allows viewers to get “into” and “out of” the history of slavery, without reproducing some of the problematic patterns that previous slavery-themed films have allowed.
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spelling doaj-art-97e890df42434136a19df763e3aaebe92025-01-30T10:46:31ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662019-09-01110.4000/transatlantica.12453“Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)Hélène CharleryThis paper examines Steve McQueen’s strategy in 12 Years a Slave, which consists in filming the horrors of slavery through a narrative construction that mostly concerns Solomon Northup, a “temporary” slave who survives slavery, and a visual construction centered on Patsey, a “permanent” slave who is born and dies in slavery. This double construction allows viewers to get “into” and “out of” the history of slavery, without reproducing some of the problematic patterns that previous slavery-themed films have allowed.https://journals.openedition.org/transatlantica/12453slaveryraceslave narrativegender12 Years a SlaveSteve McQueen
spellingShingle Hélène Charlery
“Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
Transatlantica
slavery
race
slave narrative
gender
12 Years a Slave
Steve McQueen
title “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
title_full “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
title_fullStr “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
title_full_unstemmed “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
title_short “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)
title_sort queen of the fields slavery s graphic violence and the black female body in 12 years a slave steve mcqueen 2013
topic slavery
race
slave narrative
gender
12 Years a Slave
Steve McQueen
url https://journals.openedition.org/transatlantica/12453
work_keys_str_mv AT helenecharlery queenofthefieldsslaverysgraphicviolenceandtheblackfemalebodyin12yearsaslavestevemcqueen2013