Harmony versus Voicing. Modeling Local-Level Salience and Stability in Jazz after 1960
This article considers the counterpoint in jazz between the implied, underlying form and what is actually played in a given performance. My observations are framed within a model for jazz listening called “Stable Norms and Salient Deviations” (SNSD). Detailed analysis of an improvisation by jazz/R&a...
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| Format: | Article |
| Language: | deu |
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Gesellschaft für Musiktheorie (GMTH)
2022-07-01
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| Series: | Zeitschrift der Gesellschaft für Musiktheorie |
| Subjects: | |
| Online Access: | https://storage.gmth.de/zgmth/pdf/1162 |
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