The trouble of gender sin in post-Yugoslav film – in the name of the father
Post-Yugoslav film art is, similarly to Yugoslav cinema, exemplary of masculine cultural domination, approaching socio-national themes in a highly gendered mode and reflecting a return to patriarchy, more brutal than that during the existence of Yugoslavia. A new generation of cinéasts explores, wi...
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| Format: | Article |
| Language: | English |
| Published: |
Adam Mickiewicz University Press
2018-12-01
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| Series: | Images |
| Subjects: | |
| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/17077 |
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