Conservation issues of large rolled paintings on the Portuguese altarpieces
This article focuses on the study of the historical context and the conservation issues of large rolled paintings on the Portuguese altarpieces of the 18th to 20th centuries, emphasizing their originality and dynamism. Widely used in Portugal, this type of painting is exposed during a specific perio...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2013-05-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/3186 |
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| _version_ | 1832578120371142656 |
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| author | Rita Macedo Moreira |
| author_facet | Rita Macedo Moreira |
| author_sort | Rita Macedo Moreira |
| collection | DOAJ |
| description | This article focuses on the study of the historical context and the conservation issues of large rolled paintings on the Portuguese altarpieces of the 18th to 20th centuries, emphasizing their originality and dynamism. Widely used in Portugal, this type of painting is exposed during a specific period of time of the liturgical year and, depending on scenic claims, is presented or simply stored through the system that moves it. This particularity originates characteristic degradation processes as well as very specific needs of exhibition. |
| format | Article |
| id | doaj-art-919ab87d36d6479f8f09355b381a88dc |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2013-05-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-919ab87d36d6479f8f09355b381a88dc2025-01-30T14:13:14ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-05-01310.4000/ceroart.3186Conservation issues of large rolled paintings on the Portuguese altarpiecesRita Macedo MoreiraThis article focuses on the study of the historical context and the conservation issues of large rolled paintings on the Portuguese altarpieces of the 18th to 20th centuries, emphasizing their originality and dynamism. Widely used in Portugal, this type of painting is exposed during a specific period of time of the liturgical year and, depending on scenic claims, is presented or simply stored through the system that moves it. This particularity originates characteristic degradation processes as well as very specific needs of exhibition.https://journals.openedition.org/ceroart/3186restorationpaintingconservationcanvasrolled paintingwinding system |
| spellingShingle | Rita Macedo Moreira Conservation issues of large rolled paintings on the Portuguese altarpieces CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration painting conservation canvas rolled painting winding system |
| title | Conservation issues of large rolled paintings on the Portuguese altarpieces |
| title_full | Conservation issues of large rolled paintings on the Portuguese altarpieces |
| title_fullStr | Conservation issues of large rolled paintings on the Portuguese altarpieces |
| title_full_unstemmed | Conservation issues of large rolled paintings on the Portuguese altarpieces |
| title_short | Conservation issues of large rolled paintings on the Portuguese altarpieces |
| title_sort | conservation issues of large rolled paintings on the portuguese altarpieces |
| topic | restoration painting conservation canvas rolled painting winding system |
| url | https://journals.openedition.org/ceroart/3186 |
| work_keys_str_mv | AT ritamacedomoreira conservationissuesoflargerolledpaintingsontheportuguesealtarpieces |