Lisibilité de l’histoire et (in)visibilité des corps violentés dans Sir Thomas More
This article focuses on the history play Sir Thomas More and its representation of three types of violence at the core of Tudor society: war, public execution, and rebellion. The first two are presented as legitimate while the third one is deemed criminal; yet, the play blurs such an orthodox delimi...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2022-01-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/11820 |
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