Censorship, Control and Resistance in Eugene O’Neill’s “black plays” The Emperor Jones and All God’s Chillun Got Wings
The 1920s were a period of control, restriction and censorship on the American stage. From its creation in 1922 to its dismantling in 1927, the Play Jury was in charge of theater regulation in the United States, at a time when segregation was still enforced on the stage. White actors with their face...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2013-11-01
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| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/5519 |
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