Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
This article explores the significance of the visual and textual hybridity of three contemporary American fictions, William Gass’s The Tunnel, Mark Z. Danielewski’s Only Revolutions and Vanessa Place’s La Medusa. Each of them shows a different mode of generating narrative in visual-verbal assemblage...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2016-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/4740 |
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